pigments - earths and natural pigments - COLOUR PIGMENTS

pigments

 pigments. Our natural ochres pigments and our natural earths pigments are all 100% natural and are extracted from different quarries in France, in particular in the Ardennes, Burgundy, Vaucluse but also in different countries such as Germany, Italy, and India. Depending on the region, we will have all different colors. They are extracted, washed, then dried, and if necessary, burned or calcined according to the color that one wishes to obtain, to finish finely crushed in order to obtain an impalpable powder of the order of 30 microns.

natural ochres and natural earths have the advantage of being able to be mixed together to obtain other colors because they are compatible with each other. they also have excellent opacity, great resistance to alkalis, such as lime paste, and great resistance to uv (insensitive).

They have the advantage of being compatible with all binders such as lime paste or powder or cement but also natural or synthetic oils, glues, gums and resins (gum arabic, shellac, rabbit skin glue, acrylic binder, linseed oil) and can be used in all techniques (oil, egg, casein, acrylic, skin glue, lime, plaster, fresco).

 

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anthracite pigment
in stock
the anthracite pigment is a mixture of slate and mineral black, 100% natural, who gives a primary sustained gray. This pigment can be used with all binders and gives beautiful shades in lime plasters. ideal for imitating marbles in stucco or tadelakt as well as frescoes
€2.40
calcined sienna pigment
in stock

the calcined sienna pigment from the Ardennes is obtained by firing natural sienna to give a reddish brown color. It is the iron oxide contained in natural sienna which, when cooking, gives this color. This pigment is compatible for all painting techniques and is ideal for flour painting for wood, because it is a very opaque pigment that will protect wood well.
€2.50
dark yellow ocher pigment from Provence
in stock

dark yellow ocher pigment from Provence is extracted from an ore from the gargas quarry in the vaucluse. it is a 100% natural pigment which gives a very luminous yellow hue with a transparent binder and a slightly orangey yellow with a white-like binder. This pigment is compatible with all painting techniques (lime, casein, fresco, skin glue, shellac, flour paint, egg, acrylic, vinyl, potassium silicate etc). Its dosage varies according to the binders. For lime, plan a dosage of about 45% of the weight of lime before saturation.

€1.95
natural slate pigment
in stock

the natural slate pigment is ground schist from the Ardennes. This pigment of a light light gray tint with very light water green reflections adapts well to plasters. It is a 100% natural pigment which is suitable for all binders except oil and flour paint, as it turns black on contact with fat.
€2.40
brown ochre pigment
in stock

the brown ochre pigment is a mixture of ochres and iron oxides. Gives a brown / brown to beige tint with a white binder, hazelnut color used pure or with oil. This pigment is compatible for all painting techniques. Its saturation threshold is 35% of the weight of lime.
€2.00
natural sienna pigment
in stock
the natural sienna pigment of the Ardennes is a 100% natural earth and gives a sand yellow tint to your stone depending on the binder used. This pigment is compatible for all painting techniques, insensitive to uv and very covering, so it is perfect for flour painting. In lime one obtains saturation of approximately 40% of the weight of lime.
€2.30
tin gray pigment
in stock
The tin gray pigment is a mixture of iron oxides giving a primary light grey shade. This pigment is compatible with all binders and all techniques, however it is not compatible with ochre or flour paint. In lime and dosed at 15% of the weight of lime, a fairly soft pale grey is obtained. A little 95° household alcohol will be necessary to mix it well with the water binders. This pigment is 99% natural.
€2.15
hématite pigment
in stock
the hématite pigment from bourgogne in france is extracted from the quarry of saint amand en Puisaye. reddish brown color. This pigment was very often used in bourgogne, in berry and in indre for painting barn doors and other woodwork on farms.
€2.50
yellow ochre icles pigment from veneto
in stock

the yellow ochre icles pigment from veneto is a ground natural earth extracted in the Veneto region. This yellow is ideal in lime and dosed at 25% of the weight of lime it gives a nice mustard yellow. The yellow ochre icles pigment from veneto is the most primary bright yellow ochre that can be used as a base for the creation of other shades. Its colouring power is good.
€2.50
italian cassel brown pigment
in stock

italian cassel brown pigment is a mixture of 100% natural calcined iron oxides giving a taupe brown/black to medium mouse grey slightly brown colour depending on the binder and dilution. This pigment is made in Italy and was originally extracted from peat and ferrous lignites. It is perfectly diluted in water. A dosage of 30% of the weight of lime paste will give a taupe colour which is quite trendy at the moment.
€2.30
lime black pigment
in stock
lime black pigment is an organic pigment fixed on a mineral base. It gives a soft black colour close to rome black, it has a high tinting strength and is compatible with all techniques and all binders. For its dilution it will be necessary to use a few drops of alcohol at 95° in order to favour its dispersion in your mixtures.
€1.95
lemon yellow pigment
in stock
The lemon yellow pigment is an organic Italian pigment on a mineral base of great finesse. It has a bright yellow covering colour. This pigment is suitable for all techniques and binders. A dosage in lime paste of 10% of the weight of the lime already gives an intense colour. This pigment can be diluted well with water and a little liquid black soap.
€2.95