pigments - earths and natural pigments - COLOUR PIGMENTS

pigments

 pigments. Our natural ochres pigments and our natural earths pigments are all 100% natural and are extracted from different quarries in France, in particular in the Ardennes, Burgundy, Vaucluse but also in different countries such as Germany, Italy, and India. Depending on the region, we will have all different colors. They are extracted, washed, then dried, and if necessary, burned or calcined according to the color that one wishes to obtain, to finish finely crushed in order to obtain an impalpable powder of the order of 30 microns.

natural ochres and natural earths have the advantage of being able to be mixed together to obtain other colors because they are compatible with each other. they also have excellent opacity, great resistance to alkalis, such as lime paste, and great resistance to uv (insensitive).

They have the advantage of being compatible with all binders such as lime paste or powder or cement but also natural or synthetic oils, glues, gums and resins (gum arabic, shellac, rabbit skin glue, acrylic binder, linseed oil) and can be used in all techniques (oil, egg, casein, acrylic, skin glue, lime, plaster, fresco).

 

Active filters

  • Categories: green pigments clear
  • Categories: natural pigments ochres earths clear
dark yellow ocher pigment from Provence
in stock

dark yellow ocher pigment from Provence is extracted from an ore from the gargas quarry in the vaucluse. it is a 100% natural pigment which gives a very luminous yellow hue with a transparent binder and a slightly orangey yellow with a white-like binder. This pigment is compatible with all painting techniques (lime, casein, fresco, skin glue, shellac, flour paint, egg, acrylic, vinyl, potassium silicate etc). Its dosage varies according to the binders. For lime, plan a dosage of about 45% of the weight of lime before saturation.

€1.95
dark red ocher pigment from Provence
in stock

dark red ocher pigment from provence , extracted in the gargas quarry, is obtained by firing yellow ocher. This pigment is one of the most opaque, which is why it is often used in flour paint in order to protect the wood well. Its color is red, salmon depending on the binder used and the dosage. the red ocher pigment is compatible with all painting techniques (casein, flour paint for wood, fresco fresco, acrylic or vinyl, skin glue, egg, shellac, silicate, gum arabic).

€1.95
green lime pigment
in stock
The green lime pigment is a mixture of copper phthalocyanine and calcium carbonate with a light green, slightly bluish and fairly bright colour. Compatible with all binders and all techniques. In lime and dosed at 15% of the weight of the lime, it gives a soft and pale light green colour. Nevertheless, in order to be able to mix it better, it will be necessary to add a little 95° household alcohol and liquid black soap.
€1.80
natural sienna pigment
in stock
the natural sienna pigment of the Ardennes is a 100% natural earth and gives a sand yellow tint to your stone depending on the binder used. This pigment is compatible for all painting techniques, insensitive to uv and very covering, so it is perfect for flour painting. In lime one obtains saturation of approximately 40% of the weight of lime.
€2.30
turquoise green pigment
in stock


the turquoise green pigment is a mixture of copper phthalocyanines giving a fairly bright light green color and slightly bluish depending on the binder and the dosage used. A dosage of 15% by weight of lime paste will give a pale water green color. It will be necessary to use a little alcohol at 95 ° to dilute it well, otherwise there is a risk of rockets in the coatings or whitewashes (prepare a syrup before incorporating it into the mixtures).

€2.25
calcined sienna pigment
in stock

the calcined sienna pigment from the Ardennes is obtained by firing natural sienna to give a reddish brown color. It is the iron oxide contained in natural sienna which, when cooking, gives this color. This pigment is compatible for all painting techniques and is ideal for flour painting for wood, because it is a very opaque pigment that will protect wood well.
€2.50
dark natural umber pigment
in stock
dark natural umber pigment is a mixture of sienna and black iron oxide which results in a greenish black taupe color. This pigment is compatible for all painting techniques and for all binders. A dosage in lime at 35% is the saturation limit. This pigment requires a drop of black soap and alcohol to promote its dispersion.
€2.00
wagon green pigment
in stock
wagon green pigment is a mixture of iron oxides and organic pigment which gives a colour from dark green, moss green to soft green. This pigment is compatible with all techniques and binders. Mixed in lime at a dosage of 30% of the weight of lime (the maximum, beyond that does not tint any stronger) you will obtain a moss green colour.
€3.50
anthracite pigment
in stock
the anthracite pigment is a mixture of slate and mineral black, 100% natural, who gives a primary sustained gray. This pigment can be used with all binders and gives beautiful shades in lime plasters. ideal for imitating marbles in stucco or tadelakt as well as frescoes
€2.40
wormwood green pigment
in stock

the wormwood green pigment is a mixture of green organic pigments fixed on calcium carbonates and sulphates which gives a soft green / anise / almond color. This pigment is compatible with all techniques and all binders. A dosage in lime paste at 30% of the lime weight gives a light anise green color. This dosage is the maximum in lime, beyond that it does not color more.
€2.75
rome black pigment
in stock
the rome black pigment is an earthy lignite, giving a soft black to mouse-grey tint, slightly bluish depending on the binders and dilution. This natural earth used since antiquity can be used with all binders and in all techniques such as fresco, oil, gouache, watercolour, acrylic, lime, egg, casein. To be diluted according to the binders, saturation in lime at 25%.
€2.50
old green pigment
in stock

the old green pigment is an oxide of chromium discovered by a chemist named Pannetier in the 19th century. This pigment gives an English green or light wagon color. Pigment compatible with all techniques and binders. It is a very opaque and very solid earthy green that I particularly recommend in the fresco technique.
€3.90