List of products by brand CP

the calcined sienna pigment from the Ardennes is obtained by firing natural sienna to give a reddish brown color. It is the iron oxide contained in natural sienna which, when cooking, gives this color. This pigment is compatible for all painting techniques and is ideal for flour painting for wood, because it is a very opaque pigment that will protect wood well.

Chestnut pigment is a mineral iron oxide which gives a slightly tan leathery brown colour. This pigment is compatible with all painting techniques. It can be dosed at 20% of the weight of the lime in order to obtain an already strong colour, beyond that it will be useful to add a fixative such as a vinyl binder to better fix the colour. Chestnut pigment can be diluted with water and a little liquid black soap.

the chypre burnt umber pigment is a burnt iron oxide and clay silicates, 100% natural, compatible with all binders and all painting and coating techniques. Its appearance is reddish brown to pinkish beige depending on the binders. The umbers are used to fold the colours, and it is important to mix them with the complementary colour of the dominant colour of the decor to have beautiful umbers.

clay brown pigment is a mixture of iron oxides giving a light pinkish brown colour. Its pigment is compatible with all binders and techniques and is 99% natural. A dosage in lime paste of 25% of the weight of lime gives a light pinkish brown colour in whitewash and a stronger colour in plaster. This pigment can be diluted relatively well in water with a little liquid black soap.

The cobalt blue pigment is a cobalt oxide (cobalt aluminate), of a primary, opaque clear blue, with a beautiful luminosity. It is the blue of choice for use in all painting techniques (acrylic, gouache oil, gums, resins, glues) because it is stable and covering, and is particularly suitable for fresco.

the dark calcined umber pigment is a mixture of natural red and black calcined earths which gives a dark chocolate hue with a slightly purplish background. the colour of the dark calcined shadow pigment varies from brown/taupe to flax/flax in a white binder depending on the dosage. Dosed at 15% of the weight of lime paste, it gives a very nice and soft light taupe tone. It may be necessary to add a little black soap to help its diffusion

dark natural umber pigment is a mixture of sienna and black iron oxide which results in a greenish black taupe color. This pigment is compatible for all painting techniques and for all binders. A dosage in lime at 35% is the saturation limit. This pigment requires a drop of black soap and alcohol to promote its dispersion.

dark red ocher pigment from provence , extracted in the gargas quarry, is obtained by firing yellow ocher. This pigment is one of the most opaque, which is why it is often used in flour paint in order to protect the wood well. Its color is red, salmon depending on the binder used and the dosage. the red ocher pigment is compatible with all painting techniques (casein, flour paint for wood, fresco fresco, acrylic or vinyl, skin glue, egg, shellac, silicate, gum arabic).

the dark ultramarine blue pigment is a polysulfurized sodium aluminosilicate, an imitation of lapis lazuli, which gives a slightly purplish navy blue color. Equivalent to majorelle blue or guimet blue (its creator) or klein blue. It can be used in all techniques and all binders, however with lime or cement the paint or the plaster must be used during the day.

dark yellow ocher pigment from Provence is extracted from an ore from the gargas quarry in the vaucluse. it is a 100% natural pigment which gives a very luminous yellow hue with a transparent binder and a slightly orangey yellow with a white-like binder. This pigment is compatible with all painting techniques (lime, casein, fresco, skin glue, shellac, flour paint, egg, acrylic, vinyl, potassium silicate etc). Its dosage varies according to the binders. For lime, plan a dosage of about 45% of the weight of lime before saturation.

the ercolano blue pigment is an organic pigment fixed on a carbonate and a sulfate. its color is quite bright sky blue. It is compatible with all binders and all techniques. A dosage in the lime paste at 25% of the weight of the lime gives a bright and fresh sky blue color reminiscent of the colors used on the seaside. This pigment mixes perfectly well in water.

ercolano orange pigment is an organic pigment fixed on calcium carbonate and sulphate. Its color is bright orange, brighter than the mineral orange pigment. this pigment is compatible with all binders and all techniques. With lime paste, a dosage of 25% of the weight of the lime gives a bright and bright orange color to make a paint (lime wash), but remains soft thanks to the lime.