List of products by brand CP

Iron sulphate is used in ochre wood paint as a fungicide and mordant. It helps to expand the pores of the wood to allow the oil to penetrate and also helps to create a slight saponification of the oil so that it can be diluted with water. The ochre or flour paint then becomes an oil-based paint that can be diluted with water. This type of paint is particularly recommended for wooden frames (doors, windows, shutters) and other exterior elements. It can also be used for interiors.

the brown ochre pigment is a mixture of ochres and iron oxides. Gives a brown / brown to beige tint with a white binder, hazelnut color used pure or with oil. This pigment is compatible for all painting techniques. Its saturation threshold is 35% of the weight of lime.

the natural slate pigment is ground schist from the Ardennes. This pigment of a light light gray tint with very light water green reflections adapts well to plasters. It is a 100% natural pigment which is suitable for all binders except oil and flour paint, as it turns black on contact with fat.

verone green earth pigment
verone green earth pigment is a 100% natural coloring earth from the verona region. It is purified, desiccated and ground by ball mills. Known since antiquity, it is sought after in the artistic fields and restoration. It is suitable for all painting techniques and in the fresco technique for the tracing of shadow marking.

the antique green pigment is a 100% natural earth from the verone region. This earth is purified, dried and crushed. It gives a dark green / khaki to bronze appearance. this pigment is very sought after in decoration and is very appreciated for its quality of semi transparency and great softness. It can be used in all painting and plaster techniques and with all binders.

Professional flexible stainless steel float for the application and clamping and polishing of fine plasters and stuccos.

the red veneto pigment is a red earth, a hematite, purified, dried, ground from the region of Veneto. the veneto red pigment has been known since antiquity and is highly regarded in the arts and restoration. it is suitable for all techniques. Dilute it to 30% maximum in lime, we reach saturation on a very soft light red.

the yellow ochre icles pigment from veneto is a ground natural earth extracted in the Veneto region. This yellow is ideal in lime and dosed at 25% of the weight of lime it gives a nice mustard yellow. The yellow ochre icles pigment from veneto is the most primary bright yellow ochre that can be used as a base for the creation of other shades. Its colouring power is good.

orange 960 pigment is an iron oxide with a strong tinting strength that can be used in all types of binders. it gives an orange to red colour depending on the binder used and the dosage. Mixed with oil it tints to burgundy. For artistic painting, it should be finely ground before being mixed with oil to avoid lumps.

the hématite pigment from bourgogne in france is extracted from the quarry of saint amand en Puisaye. reddish brown color. This pigment was very often used in bourgogne, in berry and in indre for painting barn doors and other woodwork on farms.

Indian red pigment is a 100% natural iron oxide compatible with all binders. Its colour is brown/burgundy to beige/pink with a white binder and a beautiful warm burgundy red with a transparent binder. This pigment is easy to mix and is suitable for all painting and coating techniques. In lime paste a dosage of 30% gives a deep burgundy colour, and this is the maximum.

the chypre burnt umber pigment is a burnt iron oxide and clay silicates, 100% natural, compatible with all binders and all painting and coating techniques. Its appearance is reddish brown to pinkish beige depending on the binders. The umbers are used to fold the colours, and it is important to mix them with the complementary colour of the dominant colour of the decor to have beautiful umbers.