List of products by brand CP

The lemon yellow pigment is an organic Italian pigment on a mineral base of great finesse. It has a bright yellow covering colour. This pigment is suitable for all techniques and binders. A dosage in lime paste of 10% of the weight of the lime already gives an intense colour. This pigment can be diluted well with water and a little liquid black soap.

lime black pigment is an organic pigment fixed on a mineral base. It gives a soft black colour close to rome black, it has a high tinting strength and is compatible with all techniques and all binders. For its dilution it will be necessary to use a few drops of alcohol at 95° in order to favour its dispersion in your mixtures.

lime blue pigment is a polysulphurized sodium aluminosilicate (synthetic metal oxide fixed on a mineral base). Its color is rather purplish primary lavender blue. this pigment is compatible with all techniques and all binders. However, to dilute it, it will be necessary to add to it in addition to water a little household alcohol at 95 ° and liquid black soap.

lime water is a 100% natural varnish resulting from lime quenching which is used to create patinas, consolidate whitewashes, stones, frescoes. The water is used to extinguish quicklime and it is during this extinction, when a strong heat is released, that this water becomes charged with calcium hydroxide to form lime water. Then when it is used, lime water reacts with carbon dioxide in the air to form calcium carbonate (caco3, calcite found at the end of stalactites in caves) which is then freezes on the surface to form a transparent limestone.

the medium ultramarine blue pigment is lighter and less purplish than the dark ultramarine blue pigment. It is compatible with all binders and all painting and coating techniques. A dosage in the lime paste at 20% of the lime weight will give a beautiful lavender blue, fairly sustained and more purplish than the lavender blue pigment. To mix it in water, it will be necessary to add a little liquid black soap and a little 95 ° household alcohol.

 Metal needle for sandpaper is used to pierce patterns also called stencils for the realization of fresco to frescoes. The metal needle for sandpaper also  sculpt the material of the plasters to achieve the sgraffito

méthylcellulose is a water retainer for paints and coatings. it is used at too high temperatures or on too porous supports, it allows to extend the working time. it is also used as a resin to make gouaches and in acrylic and vinyl resins for the preparation of colors.

The mineral orange pigment is an organic pigment fixed on a carbonate and sulphate base. This pigment gives a bright but soft salmon orange hue. It is less vivid than the ercolano orange pigment. It is compatible with all binders and can be used in all painting and coating techniques. A dosage of 15% of the weight of lime paste already gives a strong colour.

the natural sienna pigment of the Ardennes is a 100% natural earth and gives a sand yellow tint to your stone depending on the binder used. This pigment is compatible for all painting techniques, insensitive to uv and very covering, so it is perfect for flour painting. In lime one obtains saturation of approximately 40% of the weight of lime.

the natural slate pigment is ground schist from the Ardennes. This pigment of a light light gray tint with very light water green reflections adapts well to plasters. It is a 100% natural pigment which is suitable for all binders except oil and flour paint, as it turns black on contact with fat.

the old green pigment is an oxide of chromium discovered by a chemist named Pannetier in the 19th century. This pigment gives an English green or light wagon color. Pigment compatible with all techniques and binders. It is a very opaque and very solid earthy green that I particularly recommend in the fresco technique.

the old pink pigment is a mixture of iron oxides and shale. Old rose color, pale pink depending on the binder and the dosage, compatible with all techniques and all binders. 100% natural pigment. The dosage at 20% by weight of lime gives a sustained but very soft old pink color.